Still thinking, thinking, thinking on Molly’s story. Two points of conflict and resolution; two ways of looking at the piece. One is a mystery story, one is a mystery of internal conflict. Themes, motifs, conflicts, all here to be discovered and pieced together to form the total image, the real story. Separating out the real from the unnecessary. Pulling out the problem and the resolution. Questioning character change and its relevance or importance to a story–regardless of the emphatic rule.
(not sure ‘gringa’ is the female version of gringo)