LITERATURE: Transition by Dorothee Lang

Finally got back to a bit of reading this weekend and I started with something tiny–micro, in fact–but huge in literary excellence.

Dorothee Lang is an editor, publisher, artist, and writer. She wears all her many hats when she travels and turns the experiences of her journeys into something like this. Transition is “a micro collection of stories + poems” as Dorothee describes it. I might tend to call it a collection of poetry. From the opening piece, Silver, we have:

And she kept dreaming of huge cities filled with streets filled with houses filled with colors and shadows.

The language between poetry and story is what bridges the gap of genre. What would differentiate them is the intricate placement and relative sparsity of words that Lang uses in her poems. headed is a poem that moves quickly, lines and directions pointing us through it, as stanzas themselves are arranged in carefully thought-out visual form.

The Sun She, The Moon He fairly sings to the reader. It is a vision of the world as seen through a small space of a window, but as with all of Dorothee’s work, there’s so much more beneath the surface.

The longest piece is the final one, a short story called Exchange Rates that hints of magical realism, of traveling in foreign places, of the differences in culture while man’s nature remains the same within us all.

There are more works included in this fantastic little collection. Oddly enough, while I sat reading it in the comfort of my own living room, I could see it as a great little book to take on a short trip. The pieces are just long enough, just short enough, to invite reading in short and thoughtful bits of time. The images last beyond the reading, when one would look up and think on the words as new things pass by in the windows. It’s a book about travel. It’s a book about being home.

Dorothee’s book can be obtained at her Blue Print Press site, where other fine publications are available, including her longer work, In Transit (which I’ll be reading and reviewing very soon), and work by Nora Nadjarian, and Michael K. White.

Transition is fine writing about moments caught in time. It is a lovely little journey between here and there.

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REALITY?: Bounty

With Hurricane Earl due in this weekend, and September starting tomorrow, I decided it was time to harvest some of the crops.

These are cherry peppers, grown a bit beyond the neat tiny globes I expected. Jim does a great thing with them, stuffing them with Fontenella cheese and anchovies, but I need to figure out how to preserve them first. At their size, I can’t get more than about a half dozen in a pint jar and I don’t want them overheated to soften the crispness we like.

I need to pick the basil, but really wanted to get the peaches picked. Don’t bother zooming in on this image; I had put the slightly nibbled peaches on top, bad side up, and forgot that when I took the picture and Photoshop didn’t help much.

I’m also knee-deep finally in cherry tomatoes. The plants are succumbing to late blight, but they’re still producing good fruit. Time for Gazpacho again I think

There comes a time when the work started in May gets tiring by late August. While I’m not yet hoping for the first frost, I’ll be glad to wrap up this summer’s bounty soon.

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WRITING & 100 Days: Using Keyboard, Camera, and Software

While I was writing a story each day for the project, I was also taking pictures and using Photoshop to mold what I interpreted from the video prompts. So it’s not just writing that’s stopping for a breather after over three months.

The project for me was an exercise in not only taking the time to write, but to develop insight and imagination to take something further, or into another direction in a chain of creative outbursts. In the writing I tried to stretch myself into areas I hadn’t really tried before, such as magical realism, humor, mystery. I liked the concept of trying out different points of view, of reflective versus social statement; looking outward instead of inward. Luckily, a few editors took the time to view some of the pieces here or elsewhere and so far, five pieces were slated for publication. Some of the others will be selected for editing and submitting in the next couple of months. (There’s a Tinderbox map of the organization of the stories at Hypercompendia.)

But another thing I was practicing was focusing with a camera to grab an image that would reflect what the story had become. Better still, I got into Photoshop and finally started learning some of the fantastic tools that are available within its powerful platform. I’ve used the program for many years but never really played around too much beyond the basics and relied heavily on the effects gallery. But 126 images in as many days demands a lot more than that. I started fooling around with merging photos and using the layers. I learned about opacity to create ghosts and multiple images. What I couldn’t figure out for myself (or find in simple language from one of my books) I found within a newly-ordered Photoshop for Dummies book. This series is really one of the best for quick answers in easily understood instruction when you’re wanting to accomplish something but your life and livelihood doesn’t depend on it.

Didn’t get any more feedback on my attempts on the images than on the stories except from the fabulous Dorothee Lang of the Blue Print Review who chose two of them for publication in the last issue. What I’ve learned though is to practice, play, explore.  Two of the participants in the 100 Days Projects, Fran Forman, and Steve Veilleux. did some phenomenal work and I studied their work to learn. I’m still very rough around the edges (literally!) but it’s something that I tried and will continue to develop as a result of this experience.

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WRITING ET AL: 100 Days Wrap-Up

Today was the 100th day of the 100 Days 2010 Project and it’s truly amazing how many people hung in there till the end or caught up. Out of the 40 plus that started, over half of them crossed the finish line with a phenomenal effort of creative output.

Led by timely postings of video clips by the super-talented John Timmons who offered some revealing yet questioning and thought-provoking scenarios in 30 to 45 second bits, the participants had little trouble finding their own paths of production by picking up treads of concepts, obvious or metaphorical, and running with them to make it their own. The multi-talented Cathryn Esten followed John’s lead with many well-produced film clips of her own along with poems, stories, and photos.

Tremendous work by Carianne Mack Garside (who’s working on finishing up a 9-month-long project any day now) as well as her mom, Carol Mack, and her aunt Barbara Laucius to channel the family genes into some extraordinary pieces. Janette Maxey was involved this year, stretching into some new forms in her painting, and Mindy Bray surprised us with some amazing paintings as well–Mindy did photography last year.  Sam Haskell joined this year to create a fantastic gallery of portraits. Claudine Metrick produced an outstanding array of work, mainly landscapes, using unusual colors and textures to offer the world in a different way. Sabreen Aziz entered the challenge nearly halfway through and yet managed to catch up and complete an extremely skilled and creative group of typographic pieces.

Our writers also had some family ties that proved the theory of art within the generations. Steve Ersinghaus, now on his third year of the project–he and Carianne Mack Garside were the original two artists to undertake this effort in the summer of 2008–produced some wonderful and wonderfully interesting fiction this year. His wife, Susan Ersinghaus created some of the most reader-friendly and honest poetry I’ve ever read. Their daughter Kendra Bartell appears to have the mix of both styles, the down-to-earth and the scientific precision and wonderment. Poetry by Neha Bawa, also on her second year of participation has been honed to encompass her delightful imagery within the twitter restrictions of 140 characters.

We have the thrill of photography produced by Jessica Somers, who last year worked in tintypes and this year has focused on color images that have the expert eye for composition required by black and white. Newcomer to the project Steve Veilleux has produced some wonderfully deep images layered into story and true art. Another amazing artist with film is Fran Forman, whose work holds that mystical appeal that invites one to look beyond the initial image to seek the details.

Kelli Newton Costa had chosen to present an image each day that told story within character. Heather Lochtie (daughter of Maggie Ducharme) has not only managed to show us 100 different sides of herself, she also played a part in many of John Timmons’ films. Maggie Ducharme photographed her creations–each day’s meal presented to appeal both visually and to the sense of taste.  Colleen Richard photographed her creations as well–her garden as it bloomed throughout the summer.

More fascinating photography from Billie Williams, covering a wide array of subjects. Catherine Sanger’s photography brought us all over the world meeting exotic people.

There were a score of others who did some outstanding work, and for one reason or another found it difficult to continue–our loss. From poetry to coding organization to art, photography, and writing, we saw some great starts. Their work can also be seen on the main site for the project here. It’s an undertaking that requires dedication, but some planning as well. I hope to see them all available and ready to complete the project next summer. And hopefully, some new people, inspired by the amazing body of work that has been produced in just over three months, will choose to join in what’s becoming an international artistic undertaking.

My own participation of 100 short stories is linked to the right. A post on the organizational side of it, using Tinderbox, has been posted on Hypercompendia. Thanks particularly to John Timmons for his handling of the project besides his awesome video clips that have inspired so many.

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REALITY?: The Crop

Well if the plants can hold on long enough through the tomato blight, the crop’s really starting to come in:

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WRITING & HYPERTEXT: Getting in Deep

It’s Day #87 of the 100 Days Project. Day #16 of 24/7. And, Week #16 I believe of the 52/250 Challenge. So I’ve been writing my fanny off this summer.

Meanwhile, I’m putting together an essay on Magical Realism using some stories by fellow Fictionaut writers. It’s been one of my favorite genres to read and with all the writing of flash fiction the past couple of months, I’ve dipped my own pen into the inkwell to practice this whole new world of story.

A few of the stories out of this effort have been selected for publication, and one just came out today at the Blue Print Review, Issue #25. My story is called “Descriptions” and it was one of my favorites that Dorothy Lang happened to read and snap up. I’m excited that one of the Pittsburgh images is up on the Author’s Notes page, and another will be included with one of the other stories by many talented writers in this issue.

Also focusing on going back over my years of postings and presentations on hypertext in Storyspace and Tinderbox to help clarify a writer’s position on using this fabulous form.

It’s been a busy, productive summer this year and it’ll likely be a busier fall.

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REALITY?: Eating the Outside

aka “Harvest.”

I’m thrilled that my first crop of bell pepper produced enough early pickings to set up a whole dish of stuffed peppers.

I don’t always make these the same. Today they’re all beef, rice–and since I only had white rice, didn’t include the high-carb garbanzos or other beans I often put in, onion, chopped yellow squash, a hot cherry pepper, eggs and herbs.

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WRITING: Day #75 of 100 Days

So here we are at Day #75 of the 100 Days Project. I hate it when what I might consider a landmark day produces less than top quality output. I was thinking of waiting and marking off day #76, or #83, or whatever came up again as a good one but I’m just too rigid for that, so I’m stuck with what came to mind. More on this later…

The first image is of a main folder file called “100 Days 10” meaning, the Summer 2010 project. It holds each story file along with an Image folder and the Tinderbox file that organizes the whole project for me (more on that at Hypercompendia).

This next shot is of the Tinderbox file itself, and the organization by relative theme, genre, word count, along with some terrifically helpful Agents that I’ve already used to sort stories by submission and publication.

I’ve committed myself to joining a weekly story project (for 52 weeks) and another for the first 24 days of August (with the final week for editing). All told, I believe I’ll be writing about 140 flash fictions between the last week of May and the last week of August. Just to keep them together I’ve double-posted at my 100 Days those extra 24 stories, keeping the theme of the day as offered by John Timmons’ videos. So there’s a #71 and #71B, etc. up through #95. And here I’ve sort of run into both good and bad as a writer.

On the one hand, practice truly does help the mind conceive ideas and plots more quickly, and with flash fic, learn to put it down concisely and make best use of every word. If possible. And here’s the down side: while I realize that some of these stories are the best writing I’ve ever done, some of them revert back to a traditional storytelling style that I just don’t like anymore. With these, the whole story probably sucks, and that’s why I didn’t work them harder–though I have thrown many away and started from scratch.

Once I had the format down of posting the daily stories on separate pages here, I started adding in images with each story just to break up the text a bit, even with ten stories to a page. I’ll note here that I also started Password Protecing the pages after a group was done because I noticed Google grabbing the images. I’ve always felt bad about an image I posted once of my Dad years ago, driving a new lawn tractor. There’s no way of keeping Google–and others–from making images part of their public collection. They cover their asses with “may be copyrighted” as if people pay any attention to that.

Anyway, what this got me doing is playing in Photoshop and today, when I was grabbing a file image to post here of the Image file, I discovered Mac’s “cover flow” view and love the way it came out:

Ain’t that neat?

And this:

And this:

It’s neat to be getting some photography in, though I roam the house to find something that will suit the story and even the cellar stairs have been photographed. I’m using my little Vivitar 3.5 megapixel digital that I got years ago and it’s doing the job. What I’m learning is to explore Photoshop’s capabilities. Layering, adding in images, pulling out sections of photos and dropping them against other backgrounds, playing with opacity in the layers.

So not all the stories are literary marvels and not all the images are expert manipulation. I’m learning. And I have twenty five days left to go.

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REALITY? More Foodies

No grapes this year, but I finally picked some grape leaves. Here, they’re stuffed with ground beef, chick peas, rice, and egg as binder, and herbs, then simmered in tomato sauce.

Grapes are a phenomenal gift from nature. You can use the fruit for wine, juice, and jelly. The leaves are for stuffing, either Polish style like this, or in the sweeter form as the Greeks make them. The vines themselves can be wound into plain or decorated wreaths; baskets if you’ve got that kind of time and expertise.

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REALITY?: Fried Squash Blossoms

Well I learned the difference between a male squash blossom and a female blossom. The male have a stamen which is pinched off before dipping in batter and frying. Good, not outstanding. Very light and airy and I think there’s more batter than blossom being tasted here.

What I might try next time is to stuff the blossom with cheese, mushrooms, something spicy perhaps, then dip and fry.

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WRITING: Revving the Engine

Well it’s Day #71 on 100 Days, and tomorrow will be Day #72. It will also be Day#1 of the 24/7 Challenge.

Will I be able to keep up? What I’m going to try to do for the next three weeks is use the John Timmons’ video of the 100 Days Project to develop two different stories if I can. If only one comes through–so strongly that I can’t see another concept out of it–then I’ll fall back on some photo sites, perhaps Jessica Somers’ since I do love her work and an image can often spark a thousand words with no problem.

Oh, I forgot that I’ve been including an image with each of my stories for 100 Days. It’s been a lot of fun experimenting with Photoshop and not always depending on their Filter Gallery alone to make something from a photo I’ve taken. It’s been a learning experience and for today’s, when I needed a puddle I was able to make do with a glass tabletop and some fancy footwork in the program.

Oh yes, and I’m still keeping up with the 52/250 Challenge as well, which (thank God!) is a weekly submission.

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REALITY?: Eating the Outdoors

So that’s how it starts: 10 bags of manure, 6 of peat moss, a couple of lime and some seeds.

I planted the garden over the Memorial Day weekend–that’s a tradition that comes from living exactly in this area for long enough to know that we’ll still get a frost in May and even if we don’t, stuff knows better than I about growing conditions. Planted too early, it’ll just sit there and wait for the right time.

I love watching a garden grow. From lotsa brown dirt and a spreckling of green to green that almost takes over. The squash certainly have. I knew better than to crowd them in like this but I started out right to left with peppers, then tomatoes, then beans and lettuce and herbs, then almost ran out of space.

What’s neat about this new garden area is that it’s small, limited by the size of the pool that had stood there when we bought the house and taken down when we put in air conditioning.There’s still some deck that has to be cut down but I won’t let the guys near the garden now that it’s growing.

There’s still some problems: only a couple of inches of decent soil before we hit solid sand, which means constant watering; the early tomato blight that I thought I conquered is slowly creeping in again as late tomato blight; the late-planted Swiss chard and Chinese cabbage just sort of sprouted and bolted; and the millions of blossoms on the yellow squash are somehow mainly just male. They will be eaten as fried squash blossoms as soon as I go through and pick out the boy blossoms.

I think that aside from strengthening and rewiring the fencing that I threw up in a hurry in May, the removal of the deck, and a ton of topsoil, I think that once the production is done, this will be a good spot for a few years.

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CURRENT AFFAIRS: Political BS

Can’t stand it yet you just can’t avoid hearing those damn political ads that ruin summer rerun viewing. The only good news is that after the primaries, at least there will be fewer of them.

As an Independent, I cannot vote in the primaries but I’m doing my background checking on all the candidates in all the various areas of political office. Meanwhile, the ads are already rising bile in my throat.

Obviously, not all politicians are stupid. They know that this is an important year and that they must pander and pretend even more than usual to the populace to gain votes. So all of sudden, every single candidate regardless of party affiliation now understands that the number one priority is employment and is decrying all the fools before them who didn’t get this for the past two years. Not only that, but a good percentage of them claim ties to running businesses. Which of course, leads to some digging of dirt.

Fedele (Rep. for Governor, CT) is the first to throw mud, claiming Foley (Rep. for Governor, CT) grabbed 20 million and bankrupted a company in the midwest. Not all true. What Fedele failed to include was that Foley’s contract had nothing to do with Bibb going out of business and he was in fact gone before it did. Also, the real reason they did was BECAUSE THEY COULD NOT COMPETE WITH OVERSEAS COSTS. Don’t get me started on this one–it’s one of my personal pet peeves about government doing nothing about something they certainly can do something about.

And, Fedele is using public funding for his ads; which brings up another bug in my sandwich: I don’t believe that since we all pay government salaries, I don’t think the President, or any other elected official should be spending time and effort and our dollars in promoting their own party candidates. If I were a Republican, I’d be pissed that on my dime, a Democrat of position that I’m paying to represent me, is out pushing his own choices–not maybe mine.

After a blitz of JOBS! JOBS! JOBS! most of the candidates are placating their parties with the appropriate EDUCATION! ENERGY! that those folk want to hear. Meanwhile, everybody’s kind of skirting the tax issue. But then, even the sitting administration doesn’t want to touch that one.

I may just turn off the TV until November.

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WRITING: It’s Becoming a Habit and a Study

I’m now very glad to be participating in this year’s 100 Days Project since I’m writing all different types of story. Today’s was magical realism and humor, and it’s not something that I normally would write. Though a couple have been picked for publishing and I intend to start sending out many of the others come September, most of the stories are not particularly great or special, but every one has given me a chance to grow in some new way.

On top of the stories I’ve been including an image. This was started just to dress up the page and separate out the stories more visibly on the pages the way I had them set up. It’s led to not only learning a bit more about my camera–a dopey little 4 megapixel digital that came free with a printer or vice versa, but playing with the images in Photoshop has given me the opportunity to learn a lot more about how to use that program. I’ve just barely scratched the surface but today’s (#65) gave me the opportunity to fiddle and mix together three separate images.

August will be the real show of what I’m made up of. I’ve registered for the 24/7 Challenge thrown out by Folded Word so that means TWO stories each day for the first three weeks of August (the 24/7 is run by writers who are clever enough to allow the final week for editing!). And of course, I’m doing the 52/250 which is a once a week story for a year.

Out of these, some good shall come. Though I’m not sure dinners will still be on the agenda…

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REALITY?: The Last Supper

My last alone meal, salad with grilled filet mignon, sun-warmed tomatoes, eggs, fresh-killed lettuce, onions, celery, slivered broccoli stems, and blue cheese dressing. I usually do this with chicken breasts but didn’t have any in the freezer and found a small end piece of filet so I used that.

This sort of offsets the rock lobster tails, escargot and artichoke hearts with clam sauce over linguine, and fried shrimp of the past couple days. And yes, there are ice cubes (and sugar) in the wine; homemade wine is super strong and it was still a bit too harsh for my tastes. It’s also a bit cloudy–but that was the last bottle siphoned off that I left open for immediate use. And since I’m the only one here…

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