REALITY?: Seafood and Wine

Finally bottled last year’s wine, 24 bottles of grape and 24 of crabapple. I didn’t make the same mistake I made two years ago with adding the sweetener without vitamin C to stop fermentation from starting again.

I’m getting a little bit neater at bottling. Though I made a mess when I first started, the siphoning process seems a bit beyond me and took a while to realize that if I raised the bottle above the level in the five-gallon jug, I could smoothly stop the flow and fill the next one. Once I got the hang of it, things went more smoothly. That is, after I sopped up wine off the floor, sprayed on the cabinets, and all over me.

Every year I swear I’ll never make wine again. Then the crop comes due, peaches turn rosy, crabapples sparkle on branches, the grapes hang in heavy bunches, and I don’t have it in me to let it all go to waste. Wine, believe it or not, is still easier to make than jelly or canning the fruit and when you get a bumper crop, that’s the fastest way to handle the load.

After a bit too much tasting of wine, I made a mess of fried shrimp for dinner and luckily read the recipe this time to find that you dust the shrimp (or fish) in the dry mix first, then add a cup of cold beer to the rest of the mix to make a batter that will stick and not simply slide off.

This was perfect with a onion and garden tomato sliced into balsamic vinegar as a summer meal.

Oh yes, and a civilized glass of wine.

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WRITING: Daily and now Weekly too!

Sometime last year something snapped in me and I started writing a lot. I mean, a real lot.

After last summer’s 100 Days hypertext stories, I thought it’d be a long time before I wrote quite so prolifically again. But then I joined fictionaut, and that spurred me on because I got excited about writing. It’s such a good group of serious writers, most of them published already, that I tested the waters and was met with such support and camaraderie like I’ve not found in any groups prior. The next best thing about fictionaut was that I could read the type of stories that were getting published and step up my own writing under the influence of contemporary style.

So now I’m doing this summer’s 100 Days, but with traditional text style flash fiction daily. Now on the downward side of the mountain, I’m already getting antsy about what will I do when it ends in August. With the spotlight held by Dorothee Lang of Blue Print Review and Daily s-Press, I’ve finally looked into the 52/250 site that offers a theme as a prompt to write a flash piece under 250 words every week for a year. Jumping in on the deadline of this week’s theme, I just sent them an entry.

I guess this means that I’m now committed for the next 41 weeks, since they started in May and that sounds just fine to me. Looking around the site at the contributing writers I can see I’m in among friends, and Michele Elvy is the editor putting the whole thing together. The only thing that makes me a bit antsy: I really, really feel that I must write the first 9 that I missed.

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LITERATURE: The Crying of Lot 49

After forcing my way through this, I must say that there was no great Ahah! moments that pulled me to the keyboard to share and had there been, I think I would have held off out of spite.

I’m just not into the garbled silliness that the story attempts to unravel. For one thing, I never got friendly with the protagonist, Oedipa Maas. Her tendency towards self-reflective rather uncaring attitude failed to grab me. For another, her name–as well as all the other characters in the book–were so obviously symbolic and unreal that they started to make me grit my teeth as soon as I hit them.

There is a jolly romp through California as Oedipa, named executrix along with a lawyer named Metzger who comes across as rather mindless (this part was believable) run into all sorts of schemes and characters that would more likely fill a lifetime rather than mere months (or however long it was–I lost track). It’s a story meant to provoke thought (another problem I had here, the used book had copious margin notes in a cramped writing I could not decipher so they were merely distraction) but one of intrigue as well. I just didn’t like the mishmash style of Pynchon’s writing and so there really was nothing but pure determination to keep me reading through the end.

The end, which didn’t finish the adventure nor the question of characterization in its final sentences. I will pull out Thomas Pynchon’s “V” some day, but not real soon.

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REALITY?: Politics as More Than Usual

Big elections coming up in November and already, in the heat of July, the lies fly. It’s all bullshit, always has been, always will be, but I’m seeing that this year, more than I’ve noticed before, the political ads and interviews are completely useless in choosing your candidate. Unless, of course, you’re of the vote-your-party-mind or the new kid on the block which is the vote-out-every-bastard-holding-office opinion. Personally, I’ll likely do as I always do, dig into their past achievements. Since the Democrats are singing the same song as the Republicans that all of a sudden the most important thing on the agenda (particularly in Connecticut) is creating jobs and cutting taxes, there’s little to be gained by listening to the campaign speeches. Cripes, we’ve got everybody pulling for the middle-class, maybe even for the middle-aged instead of the usual front-runners, the poor and the kids. This may well be a first. At least they’re all smart enough to recognize the importance of what’s going to decide their political careers, if not holding an honest recognition of the issues. And as always, all they have to do is convince voters that they believe what they’re promising.

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REALITY?: Chinese Shrimp Cocktail?

As you know, some of the best meals come from simply pulling stuff out of the refrigerator.

This started with about a pound of leftover shrimp, using the cocktail sauce but adding a bit of hot Thai sauce and oyster sauce along with some garlic, baby bella mushrooms, broccoli, and shredded carrots for a stir-fry over brown rice. Yummy!

Note the crummy old Lodge iron pot–I’m never prepared to take pictures when I’m cooking. I have a whole set of LeCrueset yet I seem to like the iron pots and oddly enough, the old white Corningware cookware for most meals. Actually, yes, that’s the rice in the Corningware on the burner behind the shrimp.

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REALITY?: Freedom

Despite the cool and trendy anti-American sentiment that’s too abundant these days, I think July 4th weekend is a good time to look into our historical roots and see exactly what brought the citizens to revolt against an oppressive government and make sure that the intent of the Revolution is still in the hearts of our people. So I made a turkey on the grill.

I just can’t seem to do anything wrong when making a turkey. In thirty years no matter what, my turkeys always come out excellent and moist and I think maybe this should be carved on the rock out in the woods that will mark my resting place some day. “She never made a bad turkey.” Well maybe his little feet were burned off because I put him in a small pan–and he did turn gold brown and crispy after I took off the tinfoil cover, but he was moist and delicious and made the best gravy.

I should have taken a picture with the appetizers on the table but as always, I forget about everything else but food when the food’s out. Deviled eggs, three pounds of shrimp, grilled hot Italian peppers with anchovies, fresh bread dipped in garliced olive oil, jalapeno dip, and cheese. The white wine was exquisite, from Chile, Luis Felipe Edwards Savignon Blanc and our own homemade grape. The turkey, mashed potatoes with cheeses, and gravy were the main meal served with a salad and homemade dressing. Nobody had room for the peaches and frozen yogurt, which is why I really didn’t bother with a big dessert. Jim and I aren’t big on sweets and never order dessert in restaurants, so I always plan something light anyway. Unless it’s one of our dessert focused do-it-yourself crepe extravaganzas with four fillings and four sauces and fresh-whipped cream.

Conversation went through reminiscence to current affairs and politics. Not a formal dinner by any means; just good friends. All in all, a great day.

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REALITY?: Food

Setting up my meal for tomorrow: Turkey done on the grill, mashed potatoes and gravy, salad, some kind of vegie, with shrimp cocktail, jalapeno dip, deviled eggs, stuffed cherry peppers, and cheese for appetizers, and vanilla frozen yogurt with fresh peaches for dessert. But I always look for last minute things to make and while I don’t follow food blogs (I have a counter row of phenomenal cookbooks) I sometimes look for a specific recipe online.

Well I happened to be on Facebook and checked out a commenter and then some of her commenters and came across a great food blog that has photos and recipes that really, really appealed. Guilty Kitchen is it’s name, and Elizabeth cooks much the same as I do, or at least the same things I do–like shrooms and such–and her recipes are simple yet seasoned in a more fanciful manner than I usually bother with doing. Nice stuff.

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REALITY?: July 4th, 2010

I wish the US would once again declare its independence and turn to and have faith in its own people and shed the shackles of global ties. Sharing and dependence are not the same thing. Let’s celebrate the intent of this holiday, and recognize and comprehend its history.

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REALITY?: Contentment

Hopefully I will never settle into a state of contentment in life. Unless, of course, I’m housed in a mansion with a Jag gleaming black and wicked in the circular drive and a housekeeper who is willing to make the dinner whenever I really don’t feel like cooking.

It seems that as we get older, we often reinforce some personality traits (good or bad) while others may mellow a bit. Sometimes we even change completely in our ways and get adamantly vocal and insistent in certain areas. I find myself more focused and aligned on political or society issues. My neighbor has become more demanding on personal service. Like yeah, you’re going to tell the cable guys that they must be there within twenty-four hours when you have service but sometimes your modem needs recycling to connect.

There also seems to be an appreciation for the things we’ve learned to take for granted. Like rain and green grass. This morning woke up with the gentlest cool breeze and a slight mist hung in the dawn after a night of running around opening and closing windows to let in air, shut out rain. I checked the garden to see if it would still need watering after last night. It didn’t, but I was overcome with beauty, order, life.

There is a sense of nature stronger in the bluer early morning than when the sun’s yellow light tinges all with a universally warm glow. Each color seems to stand out on its own in a non-competitive display. Like seeing all the pixels in a picture.

Then there’s what we leave behind that doesn’t scream but mellows into a tangle of memories. Like the old garden, now gone to weeds and flowers that pop up everywhere they find a spot to sink their roots. I wish sometimes we were a bit more like nature, but the human part intervenes. Torn between instinct and discretion, urge and wisdom. I suppose there’s something too in that.

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BLOGGING & WRITING: Time Flies

I haven’t been keeping up on the weblogs as I used to, but then, thank your lucky stars for Facebook and twitter so you don’t have to read my rants and feel the cosmic waves of my temper tantrums like you used to.The beauty of tweets and FB is that I can let off steam and go back–usually within a half an hour–and delete the stream.

Just noticed when I came on to post that it’s somewhere around 5,750 blog posts here, with 4001 comments! That doesn’t include Hypercompendia’s posts nor the blogs I’ve started and let die in the past seven years.

I’m not slowing down to a stop here though. The drop-off is mainly because I don’t post as much personal stuff anymore, haven’t read as much in the past year, and have been concentrating a lot on writing. Funny thing though, even though my goal was to get published, now that I have been, each story of mine that I see under a heading other than my own, while thrilling, doesn’t mean any more than just writing.

Yeah, the writing’s the big thrill.

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WRITING: Hitting the Magical Stride

I’m having great fun with the 100 Days Project, now up to Day #35. What I’m noticing are the patterns that emerge from a dedicated and sustained effort.

For example, in daily writing, even when given a starting point or impetus such as John Timmons’ video clips, the initial reaction determines whether it’s going to be an easy write or a labored one. I’m delighted when it leads me to an immediate opening sentence because that usually indicates an edgier piece, one that sings with magical realism or sarcasm in the guise of story.

The tougher ones are more traditionally structured. More woven by the elements of narrative arc, character, dialogue and setting at the forefront and often calling for the fun meter to be bypassed in favor of story. That’s when I’m glad I chose to include images in the works. Photoshop is extraordinary good fun, like recess or play time in school.

Today’s piece (#35 A Night at the Opera) had me hot on the trail using metaphors and a bit of the magic of the absurd in the writing, but just as with Jesus who’s impossible to photograph, I had to break down and draw something to suit story. That wasn’t so fun, but since I’ve had visual art published before, I overwhelmed my embarrassment with reminders of deadlines and went at it with pencil and paper then turned it over to Photoshop for a small effect addition that covered a lot of the flaws.

While some may have found the daily commitment too grueling when the summer sun beckons them away to foreign beaches and dreams, most of the participants have stuck with it and you’ll find some tremendous writing–Steve Ersinghaus can always kick me out of the normal world into an odd place where imagination can really tell story–including a terrific bunch of poets–Steve’s wife, Susan Ersinghaus, is producing some amazing work–and artists such as the baby-heavy and nature-inspired Carianne Mack Garside, who started this tradition off in 2008, Janette Maxey with some beautifully executed paintings, Jessica Somers who has an incredible eye for composition, and just too many others to name. It’s well worth checking out: 100 Days 2010.

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WRITING: Paragraph Breaks

Wow. Just learned something that maybe I knew but forgot or forgot that I knew: the importance of placement, of spacing, of a simple paragraph break.

Example:

“He said she just wanted a shoulder or money or something like that and that most likely she was pilled out or drunk. He said he’d take care of it and call her back.

Now he felt bad that he hadn’t.”

versus

“He said she just wanted a shoulder or money or something like that and that most likely she was pilled out or drunk. He said he’d take care of it and call her back. Now he felt bad that he hadn’t.”

This is the ending of today’s 100 Days story “Reaching Out a Hand” and while the paragraph is longer, I think these three sentences represent the point. In the first draft, there is an expectation of some monumental conclusion, drama, explanation based on the importance that a new paragraph instills in a reader. The simplicity here of the conclusion diffuses the impact of the ending. It doesn’t measure up to the build.

In the second case, what (so far) is the final version, It flows into the ending, does not require a pause for a punch line that falls flat. Before you know it, the story is done and that is the impact.

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WRITING and REALITY?: Daily Doings

While I’ve been weaning myself off of Facebook and twitter to concentrate more on keeping up on the weblogs, I’ve also gotten myself busy keeping up on the sidelines with the 100 Days Project.

There are some thirty or so folks involved in the project this year, artists, photographers, writers, cinematographers, poets, cooks, coders, and more all of whom are dedicating some part of each day to producing a work inspired by John Timmons’ film clips or something sparked by another artist’s interpretation of the piece.

I’m finding the early morning kick of viewing the short bits of film, the freedom to interpret, and the discipline of a deadline to be an excellent incentive to keep the imagination active and the words spilling out into mainly flash fiction–all flash fiction so far but I’m open to poetry, short story, or hypertext should that be the best path for the story.  What’s been fun to do is either find an image from my personal file or take a photo to fit the story. Maybe because of last year’s hypertext stories that I produced in the summer project it just seems strange to be done with each before night-time. That’s probably what drove the addition of images.

Some of these stories may be submitted, most I intend to hold onto and do some thinkin’ on. Not all have excited me, but there are a few that I particularly like as a more polished form of the narrative. For right now, and to prove that I’m still here and busy, they’re available here: 100 Days – 100 Stories.

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REALITY?: Antless Peonies

This is one of my favorite peonies and as happens every year, they burst open and the rains come and destroy them. This one was freshly showered early this morning and I had to take a picture before I cut him and brought him into the house. I’m always hesitant because while the peony is dependent upon the ants to help the buds open, the ants like to hang around for the life of the bloom. I washed it thorough under running water and shook it out good so that I can enjoy its lovely rose-like scent.

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LITERATURE: Absalom, Absalom! – Finale (Finally!)

Was coming down the homestretch this afternoon, going through the last twenty or so pages at a fairly steady pace since something was actually happening now. In the middle of this action, while the end is in sight with a big secret revealed and the whole Sutpen clan history ready to be finally laid to rest with a bang, I catch this:

“Wait,” Quentin said. “Let’s drive up to the house. It’s a half a mile.”

“No, no,” she whispered, a tense fierce hissing of words filled with that same curious terrified yet implacable determination, as though it were not she who had to go and find out but she only the helpless agent of someone or something else who must know. “Hitch the horse here. Hurry.”  (p. 365)

Leave it to Faulkner to drag out that final end to the story by making Quentin and Miss Rosa–who is an old 65–abandon the buggy and walk a half a mile to the mansion. Faulkner adds to the drama by having them walk the distance, tire, stumble in the dark, and add to the anticipation of the reader as to what they will find there, simply by extending the span of time it takes them to get there. Almost a movie ploy, Faulkner manages it within pages of a novel.

Overall, the writing is eloquent and yet almost to the point of overwriting. There is the repetition of the main story by several different characters (as well as told to and by other characters to them) so that we get a different slant on the story and something different is revealed in each telling. Whether it be fact or feeling, the characters are the focus of Faulkner’s story. The narrative is the story of one man who comes to town, buys up a lot of land to build a mansion because he’s learned late in life not only the difference between black and white but between rich and poor. Then he finds a wife–though we find out he already has a wife and son hidden away and abandoned but taken care of with money because she had an eighth of Negro blood. Well, this son grows up and meets the established son, is pushed into an engagement with his own sister, but retreats because the acknowledged son loves him and refuses to believe his own father when he tells him the truth. Except that part about the Negro blood…

Typical also of Faulkner is the passing down through generations the secrets and often the repeated acts that add drama to a Southern family during the war years. The stories are loaded with sex but not for sex’s sake but more importantly, the aftereffects of each coupling that causes the problems.

Faulkner writes with passion and emphasis on detail. He wants the reader to feel, to comprehend the trials of his characters. Faulkner requires a patient reader who understands that even under the worst possible circumstances, the most horrific scandal, the most important part of the story is within its characters.

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